Before any of this there was music. I started DJing at eighteen and it took me a good deal further than I expected, as far as Argentina, with a record that got to number two in Belgium and a couple of my own labels to run. A label is a small business with the volume up. Artwork, deadlines, distribution, promotion, and a lot of persuading people to care about something you made. I designed the websites for it myself, in Dreamweaver, before the millennium. Power On is two years old. The craft isn't.
Then came the sensible years. Sales, from a YTS trainee to an Account Executive at two global titans of enterprise software and cybersecurity. The accounts were names you'd know: airlines, a major international airport, Premier League football clubs. Rooms where a vague answer costs you the deal and everybody in them has done this before. I don't regret a minute of it, and it left me with something genuinely useful, because I've sat on the other side of enough of those conversations to know exactly what somebody is worrying about while they're being sold to. I'd rather not be that. But it was never the work I wanted to be doing.
So Power On isn't a career change. It's a return. The same instinct I had at eighteen, make something and put it in front of people, except now the thing I'm making is a small business getting found.
What the corporate years give it is discipline. I run a one person studio the way I was taught to run an enterprise account. Know the numbers, do what you said you'd do by the day you said you'd do it, and never let a client find something out from somebody else. Your business deserves that whether you're spending two thousand pounds or two million. Big company strategy, put to work for a small business.
The first year went better than I had any right to expect. An office, a Chamber of Commerce membership, two business expos, and a run of larger projects alongside the start ups and small firms I set out to help. Most of it came by word of mouth, which is the only marketing that means anything in this trade.
I have ADHD, diagnosed late, and I'll say so plainly because it's part of how I work rather than something to work around. Hyperfocus is the edge. When a build has my attention it has all of it, and the detail that other people find tedious is the part I enjoy. It's also why I built a system that runs the checks and the reminders, so nothing on your job depends on me happening to remember it.
Business Gateway published their own account of the first year in March 2026, if you want the longer version told by somebody other than me.
None of that is why you should hire me. The work is. But you should know who you're dealing with, because with Power On there's only one answer to that question.